Continuing quotes from the dust cover for Last of the Annamese: These are endorsements printed in the back flap:
“Few novels of any genre grab you like Glenn’s searing depiction of Saigon’s fall. Compellingly evocative of the desperate last days of a doomed country, Last of the Annamese haunts you long after the final page.”
— George J. Veith, author of Black April: The Fall of South Vietnam, 1973‒75
“Last of the Annamese is an epic saga about the death of a people and a way of life that has been perishing in slow agony for a century. The canvas is huge, the brushwork dense and bold. Against a background of thousands at war, dying amid the ruins of ancient temples and centuries-old cities, it forces its characters into a place of raw survival and desperate emotions.”
—Grady Smith, author of Blood Chit
Naval Institute Press just sent me the text to be used on the book jacket for Last of the Annamese when it’s published next March. Here’s what will go on the front flap:
LAST OF THE ANNAMESE
By Tom Glenn
A novel that transcends the boundaries of “war fiction,” Tom Glenn’s Last of the Annamese is a book that examines the choices forced upon those who fight wars, those who flee them, and those who survive them.
The rare novel that eloquently describes the burden of loss, Last of the Annamese brings to life the haunting story of those who found themselves trapped in Saigon in April 1975 as the city, and surrounding country, fell to North Vietnamese forces. Drawing on his own experiences in the war, Tom Glenn tells the tale of Chuck Griffin, a retired Marine doing intelligence work for the United States in Vietnam; his friend Thanh, an incorruptible South Vietnamese Marine colonel; and Tuyet, the regal woman whom both men love. Chuck, mourning the loss of his own son in the war, finds himself becoming entangled with his old South Vietnamese ally’s wife. The affair will have ramifications not only for the clandestine lovers, but for Tuyet’s family as well.
As the grim fate of South Vietnam becomes more apparent and the flight from Saigon begins, Tuyet must make a somber choice to determine the fate of her son Thu, herself, and those she loves. This personal drama plays out as the forces of history conspire to rip apart not only Chuck and Tuyet, but also Tuyet and Thanh’s family. Last of the Annamese succeeds at presenting intimate looks at the individuals swept up in a maelstrom of conflict and chaos.
Set against the backdrop of the fall of Saigon as the North Vietnamese overwhelm the South, Tom Glenn paints a vivid portrait of the high drama surrounding the end of a war, end of a city, and end of a people. Reaching its harrowing conclusion during the real Operation Frequent Wind, a refugee rescue effort approved by President Gerald Ford, Last of the Annamese offers a depiction of a handful of people caught in an epic conflagration that was one of modern history’s darkest chapters.
My story, “Snow and Ashes,” has just been published by the Loch Raven Review. You can read it at https://thelochravenreview.net/tom-glenn/
Many of my pre-readers—other writers who exchange stories with me for review before publication—responded negatively to this story because of the unlikable protagonist. If you’re so inclined, let me know your thoughts. You can comment here, on the Loch Raven web site, or send me an email.
Continuing my recounting of what happened to me in Saigon on 28 and 29 April 1975: Yesterday I described bombing by South Vietnamese pilots who had defected to the North Vietnamese. That was at sunset. Here’s more text from my article:
That was the beginning. We were bombarded throughout the night and much of the following day, first rockets, later, beginning around 0430 hours local on 29 April, artillery. One C-130 on the runway next to us was hit before it could airlift out refugees; two others took off empty. Fixed-wing airlifts were at an end. Rounds landed inside the DAO compound; the General’s Quarters next door were destroyed. Worst of all, two of the Marines I had been talking to were killed. Their names were McMahon and Judge. They were the last American fighting men killed on the ground in Vietnam.
One image I’ll never forget: sometime during the night I was on my cot taking my two-hour rest break when the next bombardments started. I sat straight up and watched the room lurch. Bob Hartley was typing a message at a machine that rose a foot in the air, then slammed back into place. He never stopped typing.
Just after that, we got word that Frequent Wind Phase IV had been declared. That was the code name for the evacuation. It had finally been ordered
The complete details of what happened to me during the fall of Saigon—the historical basis for Last of the Annamese—were declassified last year. The story was published twice earlier this year, once in CIA’s Studies in Intelligence and then reprinted in The Atticus Review. You can read the complete document at http://atticusreview.org/bitter-memories-the-fall-of-saigon/
By 27 April 1975, I had succeeded in getting everyone from my office and their families, 43 men and their wives and children, out of the country despite the U.S. Ambassador’s refusal to call for an evacuation. He was persuaded that the North Vietnamese would never attack Saigon. Only three of us remained holed up in the DAO building in Tan Son Nhat, on the northern edge of Saigon: me and the two communicators, Bob Hartley and Gary Hickman. Here, quoted from the published account, is what happened next:
Not long before sunset on 28 April, I made a head run. The mammoth Pentagon East [the DAO building] was in shambles. Light bulbs were burned out, trash and broken furniture littered the halls, and the latrines were filthy and smelled disgusting. I came across men on stepladders running cables through the ceiling. They told me they were wiring the building for complete destruction. “Last man out lights the fuse and runs like hell,” they joked.
I went into the men’s room. I was standing at the urinal when the wall in front of me lunged toward me as if to swat me down, then slapped back into place. The sound of repeated explosions deafened me and nearly knocked me off my feet. Instead of sensibly taking cover, I left the men’s room and went to the closest exit at the end of a hall, unbolted it, and stepped into the shallow area between the western wall of the building and the security fence, a space of maybe ten to fifteen feet, now piled high with sandbags.
The first thing I noticed was that the throngs of refugees had dispersed—no one was clamoring outside the barrier—presumably frightened away by the explosions. My ears picked up the whine of turbojets. I shaded my eyes from the setting sun and spotted five A-37 Dragonfly fighters circling above the Tan Son Nhat runways. They dove, dropped bombs, and pulled up. The resulting concussions sent me tumbling, but I was on my feet and running before the planes went into their next approach. Back in the office, I found out shortly that renegade pilots who had defected to the Communists were bombing Tan Son Nhat.
I mentioned in an earlier post that I suffer from Post-Traumatic Stress. I’ve been pushing as hard as I can to change the nomenclature from Post-Traumatic Stress Disorder (PTSD) to Post-Traumatic Stress Injury (PTSI). My point is that the disease is not an internal system gone awry but an externally inflicted wound. The “disorder” label reinforces the notion that strong and brave men don’t suffer from it; only the weak and cowardly do. I find a strong strain among the military who dismiss PTSI as cowardice. It’s obvious to me that it is as much a wound (Ron Capps calls it a wound to the soul) as any physical laceration. The difference is, it never heals.
No one escaped whole from the fall of Saigon. We were all damaged. I know. I was a survivor.
I escaped under fire after the North Vietnamese were already in the streets of the city after being holed up for weeks during the siege. I suffered ear damage, amoebic dysentery, and pneumonia—due to sleep deprivation, muscle fatigue, and poor diet—and I still cope today from Post-Traumatic Stress Injury. And I was one of the lucky ones.
The experiences I attribute to the protagonist of Last of the Annamese, Chuck Griffin, are all things I went through myself. My assessment is that I am a better man for having lived through it, but the psychic wounds still haven’t healed. They never will.